This magnificent album is masterfully performed by Lisette Oropesa, who carries this music in her heart. Her versatile voice masters even the most demanding vocal passages with impressive ease. Zarzuela music is very dear to Lisette and reminds her of her roots. The tracks on this album have been carefully chosen by Lisette and feature some of her favorite zarzuelas. This album opens with the Cuban zarzuela María la O (1930) by Ernesto Lecuona. Cuba, with more than 2,500 zarzuelas composed, is the second great homeland of the genre, and Ernesto Lecuona and Gonzalo Roig are two true pillars of Cuban zarzuela. It also has a more dramatic profile, bringing to the stage the harsh social problems of slavery, racism, and so on. The album concludes with the Catalan composer Gonzalo Roig (1890-1970) and his legendary zarzuela, Cecilia Valdés, which anthropologist Fernando Ortiz defined as the quintessential Cuban zarzuela, “full, heartfelt, conscious, and desired.” Cecilia Valdés is a zarzuela with strong racial themes, with slavery as one of its central subjects. In it, Roig reaffirms the symbiosis of Black music, Creole folk music, and Spanish music.

