{"id":1315,"date":"2025-04-07T08:54:34","date_gmt":"2025-04-07T08:54:34","guid":{"rendered":"https:\/\/www.oliverdiaz.es\/?p=1315"},"modified":"2025-04-08T08:37:14","modified_gmt":"2025-04-08T08:37:14","slug":"aida-en-el-teatro-cervantes-de-malaga","status":"publish","type":"post","link":"https:\/\/www.oliverdiaz.es\/en\/noticias\/aida-en-el-teatro-cervantes-de-malaga\/","title":{"rendered":"Aida en el Teatro Cervantes de M\u00e1laga"},"content":{"rendered":"\n<p>Jos\u00e9 Antonio Cant\u00f3n &#8211; Codalario<\/p>\n\n\n\n<p><em>(\u2026) La calidad musical surgida de la batuta de uno de los directores espa\u00f1oles m\u00e1s relevantes de su generaci\u00f3n como es el asturiano Oliver D\u00edaz, que ha sabido plasmar los matices del caracter\u00edstico estilo melodram\u00e1tico del genial operista (\u2026)<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-premiere-loge wp-block-embed-premiere-loge\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/www.codalario.com\/aida\/criticas\/critica-aida-en-el-teatro-cervantes-de-malaga_13973_5_44766_0_1_in.html\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Jos\u00e9 Antonio Cant\u00f3n &#8211; Codalario (\u2026) La calidad musical surgida de la batuta de uno de los directores espa\u00f1oles m\u00e1s relevantes de su generaci\u00f3n como es el asturiano Oliver D\u00edaz, que ha sabido plasmar los matices del caracter\u00edstico estilo melodram\u00e1tico del genial operista (\u2026)<\/p>\n","protected":false},"author":3,"featured_media":1276,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[136,28,138,41],"_links":{"self":[{"href":"https:\/\/www.oliverdiaz.es\/en\/wp-json\/wp\/v2\/posts\/1315"}],"collection":[{"href":"https:\/\/www.oliverdiaz.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.oliverdiaz.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.oliverdiaz.es\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.oliverdiaz.es\/en\/wp-json\/wp\/v2\/comments?post=1315"}],"version-history":[{"count":1,"href":"https:\/\/www.oliverdiaz.es\/en\/wp-json\/wp\/v2\/posts\/1315\/revisions"}],"predecessor-version":[{"id":1317,"href":"https:\/\/www.oliverdiaz.es\/en\/wp-json\/wp\/v2\/posts\/1315\/revisions\/1317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.oliverdiaz.es\/en\/wp-json\/wp\/v2\/media\/1276"}],"wp:attachment":[{"href":"https:\/\/www.oliverdiaz.es\/en\/wp-json\/wp\/v2\/media?parent=1315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.oliverdiaz.es\/en\/wp-json\/wp\/v2\/categories?post=1315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.oliverdiaz.es\/en\/wp-json\/wp\/v2\/tags?post=1315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}